Third full moon of spring.
Last season is disappearing with hardly a trail, absorbed into another dimension.
Having established its definitive (includes last, this and next season’s setting for annual circuit) cornering last moon, this season has “seasoned” into a vertical float below its mind’s bloat, where there’s a draw into a centering, still seemingly gentle but incessant, like the swirl of an abalone shell.
This season’s vertical extent tapers 3 times for cognitive, emotive and somatic depths apparently ready to be further drawn up into the centering, for the 3 moons of summer. There is an angled reach, a counter-levering strain, vectored up, across to the right and forwards against the vertical.
Pandora’s box is a corner
displaced across from our assertions.
We too cornered but open
Pandora’s corner opens across to closure
Through levelled settings
over liver rising
and ascending colon.
Displaced across, trampled on,
put aside and left behind,
our centred right cornering
suppress, repress and deny.
In wake of our here and now,
and our reach, rise and step (forth),
displaced from our vectored float,
our past, people and places,
sub-conscious, forgotten distant and buried,
for now in P’s corner.
“Tied off sausage”. Hanshi size “rice” paper, sumi ink
Reality is more than the sum
of its fundamentals and qualities we deduce
from our phenomenal world and our identification with it.
Barely threaded, tied off like sausages
strung up in context
where there’s a cause
Beneath the bits that make sense :
‘Cause they don’t add up. It’s not worth it. They just hang off us.
We do question. If only the answers would add up to something.
Our actuality does add up
to more than their sum in their whole.
In what’s fundamental of our reality
is the connection to our whole.
Layered work of the witness bodies, as captured from behind.
Consider your own situation. See other pictures for relation with other parts.
witness sequence hc.r
Centred R sequence
We’re cornered across
a knobbly join
between outside and within
look out through
set in space
front back and behind
where we’re facing the front
through/in our make-up.
Ned’s letter box, on mind’s sparead
Ned’s letter box, on whole body
The human condition lined up, facing the front and cornered across under conscious’s reign
Sumi-ink on “hanshi” size Japanese “rice” paper with “wrinkle effect”, captures the moment of execution, sealed in structure that is carried on the dried paper, and shows itself on that every occasion to shimmer its shape up our here now gaze.
Pictures on this post have pixelated. Better ones with more information are on my facebook page – Gendo Orientaion.
If you click on these pictures they do come up large with good detail. But the pictures on the fb page have been tagged to indicate what certain parts are. Just scroll onto an area and a tagged term comes up.
Alignment and release
Weight of the conscious
Last season’s cast off